Hitchcock/Truffaut

2015

Documentary /

2
IMDb Rating 7.4

Synopsis


Downloaded 2562 times
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1.56G
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Japanese
23.976 (23976/1000) fps /
79 min
P/S 1 / 0
1013.76M
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Normal
Japanese
23.976 (23976/1000) fps /
79 min
P/S 0 / 1

Movie Reviews

Reviewed by Paul Allaer 9/10

&#x22;Hitchcock/Truffaut&#x22; (2015 release; 80 min.) is a documentary based onthe book of the same name, originally published in 1966. The book wasessentially a transcript of a week-long interview/conversation betweendirectors Alfred Hitchcock and Francois Truffaut. As the movie opens,we are given a quick historical context within which theseconversations took place, and the various contemporaries (MartinScorsese, Wes Anderson, David Lynch, etc.) provide their furtherperspectives. To tell you more would spoil your viewing experience,you&#x27;ll just have to see it for yourself.<br><br>Couple of comments: first and foremost, if you are a movie aficionado,you are in for a finger-lickin&#x27; good time, as two of the giants inmovie history dissect Hitchcock&#x27;s oeuvre in a manner that we have notseen before, and along the way we also get a fresh and betterunderstanding of Truffaut&#x27;s oeuvre. But let&#x27;s be clear: thisdocumentary is mostly about Hitchcock, and at times it feels that thebook simply serves as an excuse to examine Hitchcock. But we admittedlyalso get a clear understanding as to why the book was much more thanjust a book for Truffaut and that it was as important as any film hemade. While Hitchcock&#x27;s entire career is looked at (including the veryearly days), the documentary spends more time on two Hitchcock filmsthan any other: Vertigo and Psycho. We also get a clear understandingwhy Hitchcock claimed that &#x22;all actors are cattle&#x22;, which makes thedirector of this documentary (the to me previously unknown Kent Jones)wonder how outspoken/strong-willed icons like Robert de Niro, Al Pacinoand Dustin Hoffman would have fared under Hitchcock. One of the bestfeatures of the documentary is that the audio tapes of the week-longconversation between Hitchcock and Truffaut have survived and are usedheavily (along with still photographs from those sessions). It&#x27;s likewe&#x27;re having a seat at the table along with these movie giants and theinterpreter. I only wished that the movie lasted longer than itsall-too-brief 80 min. running time.<br><br>&#x22;Hitchcock/Truffaut&#x22; opened this weekend without any fanfare oradvertising at my local art-house theater here in Cincinnati. I figuredthis will not be playing very long, so I went to see it right away. TheFriday evening screening where I saw this at was attended okay but notgreat. Given the lack of any marketing for the movie, this didn&#x27;t comeas a surprise. That said, if you love movies and want to get newinsights on Hitchcock and Truffaut, you simply cannot go wrong withthis, be it in the theater, on Amazon Instant Video, or eventually onDVD/Blu-ray. &#x22;Hitchcock/Truffaut&#x22; is HIGHLY RECOMMENDED!

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Reviewed by noir-23489 9/10

The only section missing in the film is a discussion of the MUSIC inHitchcock films especially the work and career of BERNARD HERMANN!Neither director touched on the scores for VERTIGO, PSYCHO, or THEBRIDE WORE BLACK. Others like WAXMAN and TIOMPKIN were also neglected!Soundtracks are an integral part of both director&#x27;s work! Shame on you!Also there was no discussion of the score for TORN CURTAIN! Why noHermann score and a substitute for one by by John Barry? You can writean entire book on film noir music or THE SOUNDS OF DARKNESS. Thinkabout PSYCHO and the &#x22;shower scene&#x22; without music. It loses itschilling effect. What about James Stewart hanging from a roof gutter inVERTIGO? And that haunting &#x22;love theme&#x22; in VERTIGO, when Stewart isfollowing Kim Novak in his car and the crescendo of waves breakingagainst the shore when they finally embrace? I can cite many moremoments where music was crucial to a scene in Hitchcock&#x27;s work, toomany to enumerate here. I just had wished the directors and filmmakerswould have discussed this important phase of both director&#x27;s work. <br><br>Dr. Ronald Schwartz at [email protected] Manhattan

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Reviewed by Danny Blankenship 8/10

This documentary &#x22;Hitchcock/Truffaut&#x22; is interesting and informativefor the way it details the way the master of suspense worked on hisfilms as Hitch was an icon and inspiration to many as you and manyothers know his movies left a lasting impact! However many may not knowthat a 1966 book was published called &#x22;Hitchcock/Truffaut&#x22; it was abook on cinema and how that the work of Alfred had influenced Frenchdirector and writer Truffaut. As during this film you the viewer get tohear the actual audio recordings of the interview for the book and seeclips from many of Hitch&#x27;s films and it gives in detail Alfred&#x27;sbackground to the days even when he started in advertising. And ittalks about how Alfred saw the world as a one world view director asoften calling his actors and actresses cattle, clearly Alfred wasdemanding as discussed is how he shot his films with an emphasis onspace and geography. And anyone who&#x27;s watched a lot of Hitchcock moviesknow that his camera work was top notch the way he did scenes at anglesthe documentary talks of this also. Aside from the clips and talk ofthe impact of his movies other well known directors talk about howAlfred influenced their work as in the film Wes Anderson, DavidFincher, and Richard Linklater to name a few give their take on Hitch.Overall good informative documentary that was an interesting look atthe master of suspense.

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